“But I’m afraid you are going to be in a hopeless minority here as regards me. ‘That’s why I never told Joan Ibstock that you were still with me when I wrote. Light flooded the place. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure. My family’s Palazzo is not as grand as the Palazzo Vecchio, but it is a wonderful place that you will adore, I promise.
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