Sir John felt that after all forty-five was not so very old. “You did a great job on my concerto today. I had dreamt of the olive grove beyond the courtyard I had once been fascinated 198 with as a boy. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He and his friends (he had at least two per class, even in Trigonometry) would make their exits as quickly as possible. . ” “It’s an unrest—a longing—What’s that?” The waiter had intervened. The Goopes were the oddest little couple conceivable, following a fruitarian career upon an upper floor in Theobald’s Road. It did so well that they sold it in the nineties. All the precious paintings and statues of the divine family were here, as was the enormous wooden crucifix set above the altar.
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