He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. He looked at her in some embarrassment. “There is someone in my rooms,” Anna said. And if you’ve any notion—’ ‘Yes, it is upstairs,’ Melusine agreed, crossing to the library door. It must be my fault that you have not learnt that your husband is the man to come to—at such a time as this. “We have,” he said, “to be the utmost friends. To make sure work of it, I'll superintend the job myself. It consisted, like pre-Roman Gaul, of three parts. He crawled underneath the covers with her. What do you say to Brighton——” Anna looked at him quietly—and he never finished his sentence. She had a feeling as though something had dropped from her eyes, as though she had just discovered herself for the first time—discovered herself as a sleepwalker might do, abruptly among dangers, hindrances, and perplexities, on the verge of a cardinal crisis. ‘Do not beg his pardon,’ intervened Melusine quickly, coming between them. Her likeness to her sister gave him at first almost a shock; a moment afterwards he was conscious of a wonderful sense of relief.
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